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måndag 27 juni 2011

Hardcore cluster bomb pt 3: Time For The Resurgence of Female Fronted Metal and Hardcore?

Oathbreaker - Maelstrom
2011, Deathwish Inc.

For some reason women rarely feature in the bands I listen to, which is perhaps not so strange considering the testosterone levels of most of the music within the metal and hardcore scenes. But it's always been there at the back of my mind: why is it that only a handful of the acts I listen to with any degree of regularity have any female members (Landmine Marathon, Despise You and Detente comes to mind)? Don't they rock as hard as their male counterparts? Of course they do.
Do they somehow lack some prerequisite ability or obviously male-only metal/punk talent? Of course they don't.
Perhaps it's just a matter of female musicians having a hard time penetrating the heavily guarded walls to the Boy's Club of Rock n Roll and proving themselves? Probably.

Either way, Oathbreaker vocalist Caro (a member of that supposedly weaker sex), doesn't need to prove shit to me. She's more than welcome into the Boy's Club. In fact, she'll probably kick most of their asses. Rarely have I heard a vocalist perform so fucking outstandingly well in this specific genre. Male or female. Her unbelievably harsh midrange screams fit perfectly as a counterweight to the density of Oathbreaker's music. At first I thought her vocals would get a bit stagnant since they rarely ever stray from that almost panic-like sense of vicious desperation and anger, but I soon realised they're fucking perfect for what the band does. And once you scrutinise the lyrics a little bit closer, that realisation only stenghtens.

Oathbreaker does that whole metallic hardcore thing, and they do it really well, with tons of tempo shifts and breakdowns, moving from upper midtempo to sludgy almost Sabbathy riffage without sounding contrived or unfocused. They're slightly closer to the metal end of things than most of their contemporaries but this fits their style to a t. They're also alot heavier than many of the bands I'd usually tag as metallic hardcore, but they in no way come off sounding as an Integrity or Ringworm clone. In fact it's only by default and a lack of a better genre descriptor I'd even call their music metallic hardcore as these guys (and gal) have done what precious few bands ever do, which is to perfectly meld punk and hardcore aggression and simplicity with the complexity and higher level of musicianship of such diverse bands as Slayer, Converge and Ministry (minus the industrial parts).

This is the band's sophmore release, follwing their self titled debut from 08, which blew me away a couple of months ago. On Maelstrom they've sharpened their collective tools a bit and brought out an immense heaviness that wasn't quite as apparent on the debut ep. Still present but slightly less obvious than before are the touches of melody the band manages to pour into the gaps and cracks of the songs, fleshing them out without bloating them. Production-wise this is top-of-the-line shit. I wouldn't change a thing. Everything is exactly where it should be in the mix. There's enough density and warmth to add to the heaviness of the songs but still with a sense of space and clarity. This is definately one of the best hardcore/metal releases so far this year.

tisdag 17 maj 2011

Screaming skulls sent out to die

Withdrawal - Unknown Misery
2009, Wendigo

This canadian piece of seven inch hardcore gold isn't exactly brand new. In fact it was released back in 09 on Wendigo Records, a label I know next to nothing about, but the music imprinted in its grooves it is so astoundingly good I find it impossible to not write about it. Withdrawal plays fast, aggressive metallic hardcore, closely related in style and content to that old holy terror hardcore style, made famous by bands such as Integrity and Rindgworm and more recently Rot In Hell. The band rages through five tracks in just under twelve minutes and in that short time they manage to mix things up really well. They seamlessly integrate the metallic parts into the hardcore ones that one never really notices any change in style. Awesome bass runs and perfect guitar work make up the basis for the songs, which range from fast hardcore/metal to slow double bass-drum rumbling slayer-esque metal. In fact alot of the riffing and structural style on these songs remind me alot of Slayer, especially the title track which oozes Slayer circa South Of Heaven. Sporadic melodic parts and nice little shifts break up the otherwise unrelenting tempo and lets the songs breathe abit. I can't stress enough how fucking amazing this record is. If you're into shredding metallic hardcore or hybridized thrash metal this should be just right up your alley. I'm really looking forward to their upcoming Faith, Flesh & Blood EP on A389 Recordings soon.


Oathbreaker - Oathbreaker
2008, Deathwish

According to the sparse info I've found on the www.internet.web, Belgian hardcore outfit Oathbreaker rose from the ashes of band called No Recess and quickly signed on with Deathwish Records, who released this gem back 2008. Presented on this self-titled EP are five grooveladen tracks of fast and heavy hardcore with a big dose of melody and metal infused into it's pulsating heart. Two things quickly stand out when you listen to this records. First: the craftmanship of the songs themselves; the fluidity of the tracks, the inventive riffing and the abundant melody. Second: the vicious vocals of female singer Caro. She perfectly counterbalances the masculinity of the songs with her raspy, not-quite-high-pitched voice. Another thing that surprises me is that of the five songs, two of them are in fact instrumentals (well, I guess opener Mindless could be counted as an intro), and they are simply amazing. I love how the band manages to infuse melody into the songs to the degree that they do without ever losing sight of the aggression and brutality on which the songs depend. At times I get quite a heavy Integrity-vibe off some of the songs, especially the chugging midtempo-rager Downfall. Productionwise this is close to perfect. All the instrumentation is clearly audible and the vocals aren't buried too deep in the mix and aren't too much in your face either. I definately want to hear more from the guys and girl.